He answers, "A sword." When the companion asks how he lost his eye, the man says, "A spray of the sea." It was his first day with the hook. Although the production was difficult (exacerbated by the irritating presence of Gardner's then husband Frank Sinatra), Mogambo became one of the biggest commercial hits of Ford's career, with the highest domestic first-year gross of any of his films ($5.2million); it also revitalized Gable's waning career and earned Best Actress and Best Supporting Actress Oscar nominations for Gardner and Kelly (who was rumored to have had a brief affair with Gable during the making of the film). He was still wearing the iconic battered hat and leather jacket, but he had added a fetching eye. They'd rather make a goddamned legend out of him and be done with him. Dan Crenshaw lost his eye because of the bombstrike in Afganstan in 2002. His own car, a battered Ford roadster, was so dilapidated and messy that he was once late for a studio meeting because the guard at the studio gate did not believe that the real John Ford would drive such a car, and refused to let him in. His ideas and his characters are, like many things branded "American", deceptively simple. How much did John Wayne get paid for True Grit? He rarely attended premieres or award ceremonies, although his Oscars and other awards were proudly displayed on the mantel in his home. [92] In the opinion of Joseph McBride,[93] Ford's technique of cutting in the camera enabled him to retain creative control in a period where directors often had little say on the final editing of their films. [5] John A. Feeney's grandmother, Barbara Morris, was said to be a member of an impoverished branch of a family of the Irish nobility, the Morrises of Spiddal (headed at present by Lord Killanin). It did considerably better business than either of Ford's two preceding films, grossing $950,000 in its first year[71] although cast member Anna Lee stated that Ford was "disappointed with the picture" and that Columbia had not permitted him to supervise the editing. Ford's first film of 1935 (made for Columbia) was the mistaken-identity comedy The Whole Town's Talking with Edward G. Robinson and Jean Arthur, released in the UK as Passport to Fame, and it drew critical praise. "I think even with men like Charles Cathcart, who wore patches to cover battle scars, there is an aspect of deliberately calling attention to oneself," Chrisman-Campbell says. His depiction of the Navajo in Wagon Master included their characters speaking the Navajo language. [5], Feeney attended Portland High School, Portland, Maine, where he played fullback and defensive tackle. It happens when one eye is 'favored' by the brain more than the other, leading the other eye's optic nerves to weaken. It remains one of the most admired and imitated of all Hollywood movies, not least for its climactic stagecoach chase and the hair-raising horse-jumping scene, performed by the stuntman Yakima Canutt. In addition to credited roles, he appeared uncredited as a Klansman in D. W. Griffith's 1915 The Birth of a Nation. Ford explained in a 1964 interview that the US Government was "afraid to show so many American casualties on the screen", adding that all of the D-Day film "still exists in color in storage in Anacostia near Washington, D.C."[48] Thirty years later, historian Stephen E. Ambrose reported that the Eisenhower Center had been unable to find the film. No one who has seen the 1969 movie True Grit can forget that image. [45][46][47], Ford was also present on Omaha Beach on D-Day. Despite his often difficult and demanding personality, many actors who worked with Ford acknowledged that he brought out the best in them. It was made by Four Province Productions, a company established by Irish tycoon Lord Killanin, who had recently become Chair of the International Olympic Committee, and to whom Ford was distantly related. It was followed by his last feature of the decade, The Horse Soldiers (Mirisch Company-United Artists, 1959), a heavily fictionalised Civil War story starring John Wayne, William Holden and Constance Towers. It was one of Ford's first big hits of the sound erait was rated by both the National Board of Review and The New York Times as one of the Top 10 films of that year and won an Oscar nomination for its stirring Max Steiner score. Strengthen a weak eye. The Long Voyage Home (1940) was, like Stagecoach, made with Walter Wanger through United Artists. Starring John Wayne and James Stewart, the supporting cast features leading lady Vera Miles, Edmond O'Brien as a loquacious newspaper publisher, Andy Devine as the inept marshal Appleyard, Denver Pyle, John Carradine, and Lee Marvin in a major role as the brutal Valance, with Lee Van Cleef and Strother Martin as his henchmen. But why, exactly, did pirates wear them? Recent works about Ford's depictions of Native Americans have argued that contrary to popular belief, his Indian characters spanned a range of hostile to sympathetic images from The Iron Horse to Cheyenne Autumn. He was relatively sparing in his use of camera movements and close-ups, preferring static medium or long shots, with his players framed against dramatic vistas or interiors lit in an Expressionistic style, although he often used panning shots and sometimes used a dramatic dolly in (e.g. It isn't just cosmetic. This makes sense, and there probably were many maimed pirates who wore eyepatches, but some believe that this is not enough to explain the prevalence of eyepatches among pirates . During a three-way meeting with producer Leland Hayward to try and iron out the problems, Ford became enraged and punched Fonda on the jaw, knocking him across the room, an action that created a lasting rift between them. Ford won a total of four Academy Awards with all of them being for Best Director, for the films The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952)none of them Westerns (also starring in the last two was Maureen O'Hara, "his favorite actress"). The picture was very successful, grossing over $3million in its first year, although the lead casting stretched credibilitythe characters played by Stewart (then 53) and Wayne (then 54) could be assumed to be in their early 20s given the circumstances, and Ford reportedly considered casting a younger actor in Stewart's role but feared it would highlight Wayne's age. After a successful day of patching, your child can remove their patch and place it on the poster . The Grapes of Wrath was followed by two less successful and lesser-known films. Adapted from four plays by Eugene O'Neill, it was scripted by Dudley Nichols and Ford, in consultation with O'Neill. Fictional characters, such as Long John Silver from Treasure Island and Hook from Peter Pan, were given fake limbs to make them scarier and more memorable. On the eighth day he ripped the sign down and returned to his normal bullying behaviour."[87]. Any actor foolish enough to demand star treatment would receive the full force of his relentless scorn and sarcasm. Nifty night vision Your eyes, while capable of doing amazing things, have a built-in delay when trying to switch from light to darkness. By keeping a patch over one eye, it meant that . before storming out of the room. A pirate at sea has a peg leg, a hook for a hand and an eye patch. A treasure chest of vision benefits While some believe that eyepatches were worn to cover up an injured or missing eye, it's likelier that pirates had healthy eyes under their patches. Unfortunately, it was a commercial flop, grossing only about half of its $2.3million budget. Ford's films in 1931 were Seas Beneath, The Brat and Arrowsmith; the last-named, adapted from the Sinclair Lewis novel and starring Ronald Colman and Helen Hayes, marked Ford's first Academy Awards recognition, with five nominations including Best Picture. I don't like to hear accusations against him." Ford's last completed feature film was 7 Women (MGM, 1966), a drama set in about 1935, about missionary women in China trying to protect themselves from the advances of a barbaric Mongolian warlord. But their conflict with society embodies larger themes in the American experience. Raoul Walsh, the director in an eye patch long before John Ford or Nicholas Ray, had a long career in films spanning the pioneering years of D. W. Griffith in the silents to wide screen Technicolor epics of the mid-'60's. He specialized in action picturesgritty crime dramas, westerns, war movies. One notable feature of Ford's films is that he used a 'stock company' of actors, far more so than many directors. Over the course of his 50-year career, John Wayne managed to establish himself as one of the leading actors in the movie industry. An eyepatch indicates the wearer has been in the wars or had his eye pecked out by a hawk like axe-hurling Kirk Douglas in The Vikings Advertisement US edition Click here to request Getty Images Premium Access through IBM Creative Design Services. Mankiewicz's version of events was contested in 2016, with the discovery of the court transcript, which was released as part of the Mankiewicz archives. He also scrapped the planned ending, depicting the Marlowe's triumphant entry into Baton Rouge, instead concluding the film with Marlowe's farewell to Hannah Hunter and the crossing and demolition of the bridge. At dinner, Ford reportedly recruited cast member Alberto Morin to masquerade as an inept French waiter, who proceeded to spill soup over them, break plates and cause general mayhem, but the two executives apparently didn't realise they were the victims of one of Ford's practical jokes. [5] The John Augustine Feeney family resided on Sheridan Street, in the Irish neighborhood of Munjoy Hill in Portland, Maine, and his father worked a variety of odd jobs to support the family farming, fishing, a laborer for the gas company, saloon keeping, and an alderman. It was followed by What Price Glory? In recent years he wore a black eye patch. By the time of the actual presentation, I had to wear a patch over my eye - which, of course, didn't distract from my natural good looks - and I wore green dungarees and a pair of high brown boots. John Amato, May 13th, 2022 . [90] Ford's evocative use of the territory for his Westerns has defined the images of the American West so powerfully that Orson Welles once said that other film-makers refused to shoot in the region out of fears of plagiarism.[91]. It became his biggest grossing picture to date, taking nearly $4million in the US alone in its first year and ranking in the top 10 box office films of its year. The Latest Innovations That Are Driving The Vehicle Industry Forward. Wayne wore the patch . While he proved himself a commercially responsible director, only two or three of his films had earned more than passing notice. Although I would explain it here. These days, eye patches are crucial to the treatment of medical conditions: Eye injury and disease - Damage to the eyeball from an injury may require an eye patch while the wound heals. "[88] Dobe Carey stated that "He had a quality that made everyone almost kill themselves to please him. Three films were released in 1929Strong Boy, The Black Watch and Salute. Although not highly regarded by some criticsTag Gallagher devotes only one short paragraph to it in his book on Ford[40]it was fairly successful at the box office, grossing $900,000 in its first year. I want to thank everybody who is here from the Irish Academy, the John Ford family and thank you to John Ford Ireland. In 2007, Twentieth Century Fox released Ford at Fox, a DVD boxed set of 24 of Ford's films. It was shot in England with a British cast headed by Jack Hawkins, whom Ford (unusually) lauded as "the finest dramatic actor with whom I have worked". Quoted in Joseph McBride, "The Searchers". It actually takes 20 minutes for your eyes to adjust to night vision. It's become associated with pirates through pop culture, which has treated pirates as a caricature of sailing men of the era. She's a secret agent. [according to whom?] With playful banter out of the way, she went on to explain that the eye patch is part of the Madame X persona she created for . True Grit is set in Dardanelle, Fort Smith and Eastern Oklahoma. The account has several embellishments. Common Theories About Why Pirates Wore Eyepatches. Many of his supporting actors appeared in multiple Ford films, often over a period of several decades, including Ben Johnson, Chill Wills, Andy Devine, Ward Bond, Grant Withers, Mae Marsh, Anna Lee, Harry Carey Jr., Ken Curtis, Frank Baker, Dolores del Ro, Pedro Armendriz, Hank Worden, John Qualen, Barry Fitzgerald, Arthur Shields, John Carradine, O. True Grit A faction of the Directors Guild of America, led by Cecil B. DeMille, had tried to make it mandatory for every member to sign a loyalty oath. The Screen Directors Guild staged a tribute to Ford in October 1972, and in March 1973 the American Film Institute honored him with its first Lifetime Achievement Award at a ceremony which was telecast nationwide, with President Richard Nixon promoting Ford to full Admiral and presenting him with the Presidential Medal of Freedom. You'll be sure to find something that will make the process easier. At this point, Ford rose to speak. In an interview with Portland Magazine, Schoenberger states, "Regarding Ford and Wayne "tweaking the conventions of what a 'man' is today," I think Ford, having grown up with brothers he idolized, in a rough-and-tumble world of boxers, drinkers, and roustabouts, found his deepest theme in male camaraderie, especially in the military, one of the few places where men can express their love for other men. Who was the Deputy u.s.marshal in True Grit? However, as the shaken old man left the building, Frank Baker saw Ford's business manager Fred Totman meet him at the door, where he handed the man a cheque for $1,000 and instructed Ford's chauffeur to drive him home. Some people wear an eye patch to cover severe injuries that leave disfiguring scars. Naval Reserve", "Oral History Battle of Midway:Recollections of Commander John Ford", "We Shot D-Day on Omaha Beach (An Interview With John Ford)", "John Ford: Biography and Independent Profile", "Register of The Argosy Pictures Corporation Archives, 1938-1958", "Remembering John Wayne | Interviews | Roger Ebert", "John Ford, the man who invented America", "Interview with Sam Pollard about Ford and Wayne from", "The 25 Most Influential Directors of All Time", "John Ford/John Wayne: The Filmmaker and the Legend. The Irish Academy stated that through John Ford Ireland, they hope to lay the foundations for honoring, examining and learning from the work and legacy of John Ford, who is widely regarded as one of the most important and influential filmmakers of his generation. Stagecoach (1939) was Ford's first western since 3 Bad Men in 1926, and it was his first with sound. Actor Pat O'Brien captured Ford's approach best: "John Ford, the old master, is the orderly type. Anne Bancroft took over the lead role from Patricia Neal, who suffered a near-fatal stroke two days into shooting. He then called for an end to politics in the Guild and for it to refocus on working conditions. But he was concerned with men acting heroically, thus the most macho guy was not always the most heroic. Ford was devastated by the accident and lost interest in the film, moving the production back to Hollywood. Madonna tells Andrew Denton about the eye patch and gives fashion tips. McLaglen often presented the comic side of blustery masculinity. They filed their intentions to marry on July 31, 1875, and became American citizens five years later on September 11, 1880. He rarely drank during the making of a film, but when a production wrapped he would often lock himself in his study, wrapped only in a sheet, and go on a solitary drinking binge for several days, followed by routine contrition and a vow never to drink again. The distinguishing mark of Ford's Indian-themed Westerns is that his Native characters always remained separate and apart from white society. "I'm John Ford, and I make Westerns" was the simple, direct way he introduced himself at one famous meeting of the Directors' Guild in the early fifties, where he stood up to the reactionary Cecil B. Tracy plays an aging politician fighting his last campaign, with Jeffrey Hunter as his nephew. About 25 years ago his left eye was injured in an accident on the set, and he finally lost sight in it. Ford directed sixteen features and several documentaries in the decade between 1946 and 1956. "Just keep drinking the . However, its reputation has grown greatly over the intervening yearsit was named the Greatest Western of all time by the American Film Institute in 2008 and also placed 12th on the institute's 2007 list of the Top 100 greatest movies of all time. Ford created a part for the recovering Ward Bond, who needed money. Ford was wounded by enemy fire while filming the battle. It was a big box-office success, grossing $1.25million in its first year in the US and earning Edna May Oliver a Best Supporting Actress Oscar nomination for her performance. Ford argued against "putting out derogatory information about a director, whether he is a Communist, beats his mother-in-law, or beats dogs." [54] Released several months after the end of the war, it was among the year's top 20 box-office draws, although Tag Gallagher notes that many critics have incorrectly claimed that it lost money.[55]. He himself was quite at a loss. He made numerous films with the same major collaborators, including producer and business partner Merian C. Cooper, scriptwriters Nunnally Johnson, Dudley Nichols and Frank S. Nugent, and cinematographers Ben F. Reynolds, John W. Brown and George Schneiderman (who between them shot most of Ford's silent films), Joseph H. August, Gregg Toland, Winton Hoch, Charles Lawton Jr., Bert Glennon, Archie Stout and William H. Clothier. On The Man Who Shot Liberty Valance, Ford ran through a scene with Edmond O'Brien and ended by drooping his hand over a railing. A notable example is the famous scene in She Wore a Yellow Ribbon in which the cavalry troop is photographed against an oncoming storm. In 1949, Ford briefly returned to Fox to direct Pinky. Orson Welles claimed that he watched Stagecoach forty times in preparation for making Citizen Kane. It was one of Ford's personal favorites; stills from it decorated his home and O'Neill also reportedly loved the film and screened it periodically. Knowing that. The supporting cast included Dolores del Ro, J. Carrol Naish, Ward Bond, Leo Carrillo and Mel Ferrer (making his screen dbut) and a cast of mainly Mexican extras. This means that when they went below decks, they could just switch their eye-patch, which would make their sight in the darkness far better than someone with no eye-patch and no dark-adapted eye. Did John Wayne jump the 4th fence in True Grit? A search of Southern California locations resulted in the set for the village being built on the grounds of the Crags Country Club (later the Fox ranch, now the core of Malibu Creek State Park). I am not sure if this is the name of the thing, i am not a doctor, but i have the same thing in my eyes and my doctor told me to wear a glasses. [103], As time went on, however, Ford became more publicly allied with the Republican Party, declaring himself a "Maine Republican" in 1947. About 25 years ago his left eye was injured in an accident on the set, and he finally lost sight in it. [citation needed]. Ford wanted the debate and the meeting to end as his focus was the unity of the guild. I don't think there's anyone in this room who knows more about what the American public wants than Cecil B. DeMilleand he certainly knows how to give it to them [looking at DeMille] But I don't like you, C. B. I don't like what you stand for and I don't like what you've been saying here tonight.[102]. The book True Grit states Rooster Cogburn died from night hoss. What does that mean? Been driving it for three weeks. Ford also championed the value and force of the group, as evidenced in his many military dramas [he] expressed a similar sentiment for camaraderie through his repeated use of certain actors in the lead and supporting roles he also felt an allegiance to places [79]. It is Ford's only police genre film, and one of the few Ford films set in the present day of the 1950s. It was not a major box-office hit although it had a respectable domestic first-year gross of $750,000, but Ford scholar Tag Gallagher describes it as "a deeper, more multi-leveled work than Stagecoach (which) seems in retrospect one of the finest prewar pictures".[36]. Mankiewicz's account gives sole credit to Ford in sinking DeMille. Has won more directing Oscars than any other director: four, for The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952). He was the first recipient of the American Film Institute Life Achievement Award in 1973. He bought a brand new Rolls-Royce in the 1930s, but never rode in it because his wife, Mary, would not let him smoke in it. It was also Ford's last commercial success, grossing $3.3million against a budget of $2.6million. [33] It was nominated for seven Academy Awards, including Best Picture and Best Director, and won two Oscars, for Best Supporting Actor (Thomas Mitchell) and Best Score. The Symposium, designed to draw inspiration from and celebrate Ford's ongoing influence on contemporary cinema, featured a diverse program of events, including a series of screenings, masterclasses, panel discussions, public interviews, and an outdoor screening of The Searchers. William Wyler and Frank Capra come in second having won the award three times. In recent years he wore a black eye patch. How Maine Changed the World: A History in 50 People, Places, and Objects, The Eloquence of Gesture by Shigehiko Hasumi, The Influence of Western Painting and Genre Painting on the Films of John Ford Ph.D. Dissertation by William Howze, 1986, Directors Guild of America Award for Outstanding Directing Feature Film, Directors Guild of America Lifetime Achievement Award Feature Film, Locarno Film Festival Best Director Award, National Board of Review Award for Best Director, New York Film Critics Circle Award for Best Director, https://en.wikipedia.org/w/index.php?title=John_Ford&oldid=1133687304, United States Navy personnel of World War II, Burials at Holy Cross Cemetery, Culver City, United States Navy rear admirals (lower half), People of the Office of Strategic Services, Articles with dead external links from June 2021, All Wikipedia articles written in American English, Pages using infobox military person with embed, Articles with unsourced statements from February 2010, Articles with unsourced statements from February 2021, Articles with unsourced statements from February 2013, Articles with unsourced statements from February 2018, Pages using multiple image with auto scaled images, Articles with unsourced statements from February 2008, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from April 2021, Articles with unsourced statements from December 2022, Articles needing additional references from December 2022, All articles needing additional references, Creative Commons Attribution-ShareAlike License 3.0. He survived "continuous attack and was wounded" while he continued filming, one commendation in his file states. Core members of this extended 'troupe', including Ward Bond, John Carradine, Harry Carey Jr., Mae Marsh, Frank Baker, and Ben Johnson, were informally known as the John Ford Stock Company. Despite its uncompromising humanist and political stance, Ford's screen adaptation of John Steinbeck's The Grapes of Wrath (scripted by Nunnally Johnson and photographed by Gregg Toland) was both a big box office hit and a major critical success, and it is still widely regarded as one of the best Hollywood films of the era. Although he was seen throughout the movie, he never walked until they put in a part where he was shot in the leg. He was listed as the sixth most influential director of all time by Flickside. Ford's health deteriorated rapidly in the early 1970s; he suffered a broken hip in 1970 which put him in a wheelchair. Why did a pirate wear an eyepatch? Over 35 years Wayne appeared in 24 of Ford's films and three television episodes. The supporting cast included Margaret Leighton, Flora Robson, Sue Lyon, Mildred Dunnock, Anna Lee, Eddie Albert, Mike Mazurki and Woody Strode, with music by Elmer Bernstein. Was John Ford on Midway Island during the attack? The World War I desert drama The Lost Patrol (1934), based on the book Patrol by Philip MacDonald, was a superior remake of the 1929 silent film Lost Patrol. (Photo by John Bryson/Getty Images) Save PURCHASE A LICENSE Get personalized pricing by telling us when, where, and how you want to use this asset. Throughout his life, Mr. Ford suffered poor eyesight and had to wear thick, shaded prescription glasses. He also visited the set of The Alamo, produced, directed by, and starring John Wayne, where his interference caused Wayne to send him out to film second-unit scenes which were never used (nor intended to be used) in the film.[72]. Otho Lovering, who had first worked with Ford on Stagecoach (1939), became Ford's principal editor after Murray's death. 1. Madonna: "Yes, that's correct. The movement of men and horses in his Westerns has rarely been surpassed for regal serenity and evocative power. It featured many of his 'Stock Company' of actors, including John Wayne, Henry Fonda, Ward Bond, Victor McLaglen, Mae Marsh, Francis Ford (as a bartender), Frank Baker, Ben Johnson and also featured Shirley Temple, in her final appearance for Ford and one of her last film appearances. Main characters will often gain an eyepatch as a Future Badass or Evil Twin . Katharine Hepburn reportedly facilitated a rapprochement between the two men, ending a long-running feud, and she convinced Tracy to take the lead role, which had originally been offered to Orson Welles (but was turned down by Welles' agent without his knowledge, much to his chagrin). An eyepatch that John Wayne wore when he played Rooster Cogburn in the classic western True Grit is expected to fetch more than 20,000 at auction. These clever bastards "wore a patch over one eye to keep it dark-adapted outside." So, if a battle was ever to break out and the pirate had to run below deck, he'd switch the patch to the other . In fact, he did make Westerns, but a whole lot more. Francis played in hundreds of silent pictures for filmmakers such as Thomas Edison, Georges Mlis and Thomas Ince, eventually progressing to become a prominent Hollywood actor-writer-director with his own production company (101 Bison) at Universal.[13]. He was primarily known for appearing in Westerns, including 1969s True Grit. His words were recorded by a stenographer: My name's John Ford. [41], Ford's last feature before America entered World War II was his screen adaptation of How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara and Roddy McDowell in his career-making role as Huw. While this can't be proven without the use of time machines, a pretty plausible explanation says that a pirate's eye patch was for "dark adaptation." See, pirates would often have to move between dark and light settings rather quickly, such as below and above the deck of a ship. Anna Lee recalled that Ford was "absolutely charming" to everyone and that the only major blow-up came when Flora Robson complained that the sign on her dressing room door did not include her title ("Dame") and as a result, Robson was "absolutely shredded" by Ford in front of the cast and crew. Ford is known for his famously bad eye sight and I was wondering how that might have affected him as a director,seeing as film is a visual media but I can't seem to find much about it online. Carey's son Harry "Dobe" Carey Jr., who also became an actor, was one of Ford's closest friends in later years and featured in many of his most celebrated westerns. [80] Script development could be intense but, once approved, his screenplays were rarely rewritten; he was also one of the first filmmakers to encourage his writers and actors to prepare a full back story for their characters. some assume pirates wore eye patches to cover a missing eye or an eye that was wounded in battle, but in fact, an . Ford repeatedly declared that he disliked the film and had never watched it, complaining that he had been forced to make it,[53] although it was strongly championed by filmmaker Lindsay Anderson. [96], In 2019 Jean-Christophe Klotz released the documentary film John Ford, l'homme qui inventa l'Amrique, about his influence in the legend of the American West in films like Stagecoach (1939), The Grapes of Wrath (1940), The Man Who Shot Liberty Valance (1962) and Cheyenne Autumn (1964). Ford filmed the Japanese attack on Midway from the power plant of Sand Island and was wounded in the left arm by a machine gun bullet. Not a charming sight. Ford's next film was the romance-adventure Mogambo (MGM, 1953), a loose remake of the celebrated 1932 film Red Dust. That `` he had a quality that made everyone almost kill themselves to please him ''. Lost interest in the film, and he finally lost sight in it family thank. A patch over one eye, it meant that night vision meant that himself. Orson Welles claimed that he used a 'stock company ' of actors, far more than! School, Portland, Maine, where he was still wearing the iconic battered hat and leather,. Most heroic to demand star treatment would receive the full force of his relentless and. Dvd boxed set of 24 of Ford 's films and three television episodes a at... And thank you to John Ford family and thank you to John Ford him in a.! 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